{"efta_number": "EFTA01854206", "page_count": 6, "url": "https://epstein-data.com/EFTA01854206", "pdf_url": "https://epstein-data.com/pdf/EFTA01854206.pdf", "pages": [{"efta_number": "EFTA01854206", "page_number": 0, "text_content": "To: \nFrom: \nJeffrey Epstein \nSent: \nSun 10/23/2011 1:52:52 PM \nSubject: Re: Fw: Acting In Film & the Alexander Technique, LA 3-day ON CAMERA Intensive, Nov \n2011 \nwould you like me to pay.? its a treat to do so \nOn Sun, Oct 23, 2011 at 9:23 AM, \nwrote: \nSent via BlackBerry by AT&T \nFrom: \"Kristof Konrad\" \nDat \n-0700 \nTo: \nSubject: Re: Acting In Film & the Alexander Technique, LA 3-day ON CAMERA Intensive, \nNov 2011 \nhi Moo. \nThank you for your interest in Los Angeles Acting in Film and the Alexander Technique Workshop, \nNOVEMBER 11 - 13, 2011 (FRI, SAT, SUN) \nI'll send you an e-mail- INVOICE and you can pay with a credit card or bank acc. \nWorkshop Fee: $ 464 - ($14 payment fee included) \nI will hold the space for few days to recive the payment. \nTHE PAYMENT IS NOT REFUNDIBLE AFTER NOVEMBER 6, 2011 \nBest, \nwww.alexandertechworks.com \nhtto://www.imdb.corninamernm0465311/ \nOri inalMess\na\ni s \nFrom: \nTo: \nSent: Tuesday, October 11, 2011 11:13 AM \nSubject: Re: Acting In Film & the Alexander Technique, LA 3-day ON CAMERA Intensive, Nov \n2011 \nOk I'll love to enjoy the class , how can process with the credit card ? \nSent via BlackBerry by AT&T \nEFTA_R1_00250285 \nEFTA01854206\n", "char_count": 1188}, {"efta_number": "EFTA01854206", "page_number": 1, "text_content": "From: AlexanderTechworks < \nSender: AlexanderTechworks \nDate: Mon, 10 Oct 20[1 14:01:18 -0400 (EDT) \nTo: \nReplyTo: \nSubject: Acting In Film & the Alexander Technique, LA 3-day ON CAMERA Intensive, Nov \n2011 \nHaving trouble viewing this email? Click here \nAlexanderTechworks \nACTING IN FILM \nand \nthe Alexander Technique \nPeople don't always express their inner thoughts to one another; a conversation mar \nhe quite trivial, hut often the eyes will reveal what a person really thinks or feels. \nAlfred Hitchcock \nE FTA_R1_00250286 \nEFTA01854207\n", "char_count": 544}, {"efta_number": "EFTA01854206", "page_number": 2, "text_content": "A Three Day ON CAMERA Acting in FILM Intensive, \nLOS ANGELES \nwith \nJEAN-LOUIS RODRIGUE and KRISTOF KONRAD \nNOV 11, 12, 13, 2011 ; 10:00 a.m.- 6:00 p.m. \nTuition: $450 \nAn actor's vision is lived emotionally and physically. That kind of performance requires \nmore than instinct- it needs interpretative intelligence and a mastery of physical, \npsychological, and emotional craft into performance. Internationally acclaimed teachers \nJean-Louis Rodrigue and Kristof Konrad team up to present an intensive workshop to \nexplore the skills and tools that are required for the extraordinary creation of characters \nand performances. \nWheel of Wellbeing; 1575 Westwood Blvd. \nLos Angeles, CA96024 \nTo Register \ncall Kristof (310) 443-4483 \ne-mail: knorthpoleWyahoo.com \n• \nCOURSE CONTENT: \n*Stage versus Film Acting \n*Being in your Body, Ease and Availability \n*Becoming versus Performing \n*Trusting That You are Enough (What does that mean?) \n*You are more then Your Habits \n*Freeing our movement by learning to organize body relationships \n*Freeing impulse and response patterns, allowing spontaneity \n*Discovering Stillness and Vulnerability in Close Up \n*Listening, with your whole body \n*Personality and Character \n*Breath as energy and vehicle for the emotion \n*Yor Emotion, not your words, communicates to the audience \nwhat is really going on \n*Relating to Other Actor's Emotions (Sadness, Happiness, Anger, \nEFTA_R1_00250287 \nEFTA01854208\n", "char_count": 1442}, {"efta_number": "EFTA01854206", "page_number": 3, "text_content": "Love, Fear) \n*Emotions as an Undercurrent \n*Five Arts of Film Acting \n(Concentration, Not Knowing, Acceptance, Giving and Receiving, \nRelating) \n•• \nJEAN-LOUIS RODRIGUE \nhas most recently coached Leonardo DiCaprio for J. EDGAR and Chris Pine for \nTHE LIEUTENANT OF INISHMORE at the Mark Taper Forum. He has worked \nwith Larry Moss on the movement and vocal aspects of Pamela Gien's award \nwinning play THE SYRINGA TREE, Bo Eason's RUNT OF THE LITTER and April \nDaisy Whites SUGAR He has trained and coached performers at the ROYAL \nSHAKESPEARE COMPANY, MARK TAPER FORUM, GEFFEN PLAYHOUSE, LOS \nANGELES PHILHARMONIC INSTITUTE, STEPPENWOLF, SAN FRANCISCO \nOPERA, STUTTGART OPERA, CIRQUE DU SOLEIL, VERBIER FESTIVAL, \nGETTY VILLA, and on BROADWAY. Past and current students include: ANG \nLEE, JOSH BROLIN, IAN McICELLEN, HELENA BONHAM CARTER, JULIE Et h \nBINOCHE, HILARY SWANK, SIMON BAKER, ICEANU REEVES, PATRICIA \nARQUETTE and JOBETH WILLIAMS. Jean-Louis is on faculty at the UCLA \nSchool of Theater, Film and Television. \nKRISTOF KONRAD \nwas born in Poland, trained as an actor at the NationalDramaticAcademy in \nWarsaw, Poland and the AlexanderFersenAcademy in Rome, Italy. While in \nPoland, he studied and worked with theater and film masters JERZY GROTOWSKI \nand ANDRZEJ WAJDA. In the USA he worked with directors KENNETH \nBRANAGH, RON HOWARD and ROLAND EMMERICH. His credits include: \nANGELS AND DEMONS, HOTEL CALIFORNIA, INDEPENDENCEDAY, NIIUTA, \nSCANDAL, BURN NOTICE, UNDERCOVERS, RAISING THE BAR, OPERATION \nSAMUM, ALIAS, THE AGENCY, JAG, E- RING and many others. Kristof has \ntaught for the VERBIER FESTIVAL & ACADEMY in Switzerland and UBS \nVERBIER ORCHESTRA. He is teaching Intensive Acting in Film and Alexander \nTechnique Workshops in: New York, Los Angeles, Milan, Berlin, Toronto and \nVancouver. In the U.S., he has taught with Jean-Louis at the LARRY MOSS \nSTUDIO, HOWARD FINE STUDIO, THEATRICUM BOTANICUM, MEDIA \nACCESS and recently worked with the artists of the ROYAL SHAKESPEARE \nCOMPANY and the CIRQUE DU SOLEIL. Past and current students include: \nKENNETH BRANAGH, COBIE SMULDERS, JOBETH WILLIAMS, ERIC DANE, \nand SHARON LAWRENCE. \nVisit us at : www.AlexanderTechworks.com \n\"I really like to look into the physical acting characteristics of my character, because \nit helps me to transform. The Alexander Technique helps me to burrow into roles \nlike gay cowboys and drug addicts by focusing on my posture, movement, and \npresence.\" \nE FTA_R1_00250288 \nEFTA01854209\n", "char_count": 2486}, {"efta_number": "EFTA01854206", "page_number": 4, "text_content": "- HEATH LEDGER \n\"Jean-Louis Rodrigue always brings a personal and positive approach to his \ncoaching work. His involvement is timeless and complete. He is generous, genuine. \nand creative such that even when a character or a story is frightening, it becomes \nabout exploring the work and being of service. Jean-Louis has a dear view of the \ncharacter the actor is playing and also an awareness of the purpose and structure of \nthe whole movie, which engages the entire actor's intention and responsibility with \nthe project. His work is a useful and exciting way to open my channels for my \nresearch as an actress. \n- JULIETTE BINOCHE \n\"The Alexander technique is invaluable to actors of all ages. It helps us find new \ndepth in exploring the physical and emotional life of a character. And it has helped \nme correct physical issues which affect my daily life. Jean-Louis and Kristof \nimmediately create a level of trust and comfort in teaching this technique which \nallows all of us in the class to open up to the learning experience. I continue to work \nprivately with them because I believe so strongly in their skill in teaching this \ntechnique, and its positive effect on my well-being.\" \n- JOBETH WILLIAMS \n\"Jean-Louis Rodrigue is a popular movement coach in Los Angeles whose specialty \nis helping actors bring gracefulness and fluidity to their performances. A \ncombination of acting coach , AlexanderTechnique teacher and movement \nspecialist , Mr. Rodrigue uses techniques that have much in common with dance \ntraining. His teachings emphasize an awareness of the body and the physicality of \nperformance. When performers make the physical component of their work as \nimportant as the intellectual, they become far more convincing and \nseamless.\" \n- VALERIE GLADSTONE, New York Times \n\"The absolute best Alexander classes are given daily by my four-month old son. \nKristof and Jean-Louis are a dose second. They are not only expert in the theory and \napplication of this incredible technique but pursue their work with a vibrant, \ncontagious love. Their endeavor to help performers choose a new physical life that \nallows them to be more fully present--in essence, to use themselves differently--is \nprofound, and has implications not only for life on the stage, but for life in general. \nKristof and Jean-Louis create a beautiful work environment: safe, rigorous, \npersonal--and sprinkled with a healthy dose of humor. I am so grateful to have had \nthe opportunity to work with them. And they don't spit up nearly as much as my \nson!\" \n- PETER HERMANN \" War Horse\" Broadway \n\"Jean-Louis is a gifted teacher. Some teachers are able to adjust, fix, or produce \nresults in students immediately. However, often their work does not have a lasting \nvalue. Jean-Louis is not in that category. His understanding of the Alexander \nTechnique and the psychology of the American actor is such that he is able to leave a \nlasting impression on most of the actors he encounters. It is a pleasure to be able to \ntestify to his skill, ability, and artistry\" \nE FTA_R1_00250289 \nEFTA01854210\n", "char_count": 3086}, {"efta_number": "EFTA01854206", "page_number": 5, "text_content": "- LOUIS SCHEEDER, Director of Classical Studio, NYU Drama, TischSchool of \nthe Arts \nkristof konrad \nAlexandeffechworks \nforward email \nThis email was sent to babybabya0._tyahoo.com by knorthoolegYahoo•COM \n!mate  Prafile/Fmail Address Instant removal with SafacInsubscribe'\" \nPrivacy Policy. \nAlexanderTechworks P.O.BOX 3194 Beverly Hills CA 90212 \n*********************************************************** \nThe information contained in this communication is \nconfidential, may be attorney-client privileged, may \nconstitute inside information, and is intended only for \nthe use of the addressee. It is the property of \nJeffrey Epstein \nUnauthorized use, disclosure or copying of this \ncommunication or any part thereof is strictly prohibited \nand may be unlawful. If you have received this \ncommunication in error, please notify us immediately by \nreturn e-mail or by e-mail to jeevacationOgmail.com, and \ndestroy this communication and all copies thereof, \nincluding all attachments. copyright -all rights reserved \nEFTA_R1_00250290 \nEFTA01854211\n", "char_count": 1052}]}