From: paul krassner [[email protected]] Sent: 1/16/2019 7:50:41 PM To: Nancy Cain (is |; 70) |S Viaric Moneysmith | xy Steven Gaydos |i |; George Krassner |S |; Linda W. Grossman (|; Holly Krassner Dawson (i |; Daniel Dawson eee); anny Goldberg i Cary! Ratner | |; Kevin Bright eee; Vichael Simmons (i |; Samuel Leff Dn |; Bob Fass i); Lynnie Tofte Fass iD ; Lee Quarnstron inne |; Barb Cowles i | Subject: Fwd: Manson Girls / Acid Trip Agreement Importance: — High From: Lonnie Martin <a > Subject: Re: Manson Girls / Acid Trip Agreement Date: January 16, 2019 at 6:50:44 AM PST To: paul krassner <a Hi Paul. Thanks so much for sharing both your note to Steven and your latest Manson essay with me. It’s always wild to read that piece. | have parts of it memorized at this point. After reading your comment about vibes from the movie, | feel like | have some explaining to do. This is all stream of consciousness writing so take it on merit, | guess. No harm is meant. As 'The Last of the Manson Girls' got closer to completion, | was insanely nervous about showing it to you. | knew it there was very little in it that was “Truth" in terms of minute details. What | did was take the broad strokes of your essay and make it into the “beats” of my story. For example, Sandy’s invitation to take a bath formed the spine of the “mermaid” scene. Squeaky’s line, “Manson never took anybody who wasn’t already discarded by the society" formed the spin of the animated fever dream where she talks about her father. The visit to Merrick was a good place to get into some of my views about conspiracy and the human mind’s ability to latch on to anything to avoid unpleasant facts. Squeaky’s line “Well what do you expect from me. I’m crazy” was obviously later then this meeting, but it was just too good a line to let go. | didn’t use elements of your essay that made actual filming and production tougher. For example, the interlude in your essay where you went to a home