James PATTERSON ; “Nothing,” says Mary. “t talked to Jeffrey, and I'm going to his house tomorrow morning,” says Wendy. “I’m going to set something up for you.” : “Cool. Like, what do you think?” “I don’t know. I’m going to talk to him tomorrow morning : when I go to his house about it.” “Um, how much would I get paid?” “Talk to him. I'll talk to him tomorrow, and then I'll bring 4 you in the next day. You can talk to him about it.” So far, so good, thinks Officer Pagan. But she needs more. She : looks at Mary expectantly, but not too expectantly, she hopes. She a can imagine how hard it must be for the girl. Or maybe she can't : imagine it at all. But either way, Mary seems to have gotten the Noel St. Pierre: Mar message. Straightening up in her chair, she begins to press Wendy. j « don’t know,” Wendy says in response. “1 don't know. You're : going to have to talk to him about it. I mean, ! don't really work for Sel Sti -Pierre® _ him like that. I just bring girls to him and they work for him... . You | N Haiti. His old 1 can ask him, like, ‘What can I do to make more money?” 4 j jungle border | Mary keeps pressing. . a Republic, and some of | 4 “The more you do, the more you get paid,” Wendy says finally. , a kids would stay in the C “Want me to bring my sister for you? So that we can get paid er, Bee ee never returned: more or something?” ; sa f “Well, yeah. atoat what I’m saying. I'm working tomorrow, a ane ; and me and him are going to put a schedule together for you and | 4 By the time he was : your sister. So I'll call you tomorrow when I leave Jeffrey with a q q Rise kids. He'd leart schedule.” ] a prostitutes. . “Okay, well, I don't have a phone. So if you guys call me, I'd ; 4 This was how Noel have to know what time so L could get the phone.” , _ teally w ; : “Okay. I'll leave you a el That’s fine. I'll leave you 4 q — ae message.” : 4 * Noel St. Pierre is a compo: : a | 26 , a : 5 HOUSE_OVERSIGHT_019142