3 This is the year many of the 78 million Baby Boomers go back to the theaters. Five small budget independent films become surprise hits as each exceeds $100 million. "The Social Network" now cements its battle cry with one word; "relevance". Mark Zuckerberg lands on the cover of Time Magazine as The Person of the Year. A smart and extensive ad campaign positions the film in the lead. Critics and pundits proclaim the race is over. "The Social Network" is the clear winner. Everyone goes on holiday. This is probably the only time in Harvey Weinstein's life that he is caught off guard. He quickly mobilizes an inner team of 15 and conducts strategy meetings 7 days a week, including Christmas. They become like a Chinese Restaurant...always open. A generational war is in full swing. Harvey screens his film for the older voters. Everything is done by the books. Budgets are limited. He sends screenwriter David Seidler and Tom Hoooper to every corner of the country doing g+ta's till they are blue in the face from "finding their voice." SAG voters begin seeing the film 2 and 3 times. In January the Golden Globes voted on by about 88 foreign journalists gives Best Drama to "The Social Network", Best Director to David Fincher and Best Screenplay to Aaron Sorkin. Their film is still perceived as the Oscar winner. Team Weinstein underestimates their hard work and is in shock when "The King's Speech" wins the PGA in L.A. Harvey doesn’t even attend and is working in Sundance. They are equally surprised when Tom Hooper wins the DGA and the actors win the SAG Ensemble. The BAFTAs reinforced the lead. They are now the front runner. It takes the media a few weeks to catch on. The Daily Mail announces Her Royal Highness, Queen Elizabeth has enjoyed a private screening of “The King’s Speech” and is "moved" by the film. With no proof the Queen has actually seen the film, the Weinstein Company sends out a global press release thanking her Majesty for the endorsement. They also acknowledge