2 this drama's subtle humor gets big laughs leading up to its emotional ending. Within two weeks, at The Toronto Film Festival, Harvey Weinstein is now standing with his filmmakers witnessing the same reaction. The film wins The Audience Prize. Their strategy is to say nothing. Do nothing. They have a possible Oscar winner. Four out of five past Best Pictures have premiered in Toronto. Cut to New York City at the end of September. It's the opening night at The Film Society of Lincoln Center. One of America's most important and prolific producers Scott Rudin, along with Jesse Eisenberg, Andrew Garfield and Aaron Sorkin are in a brightly lit box waving down to their equally hysterical audience who have just seen "The Social Network". The film opens the next day to rave reviews and endless publicity. David Fincher is off making "The Girl with the Dragon Tattoo". Aaron Sorkin becomes the face of the film and an immediate shoo-in for an Oscar. The Hamptons International Film Festival in October suddenly becomes a launching pad for "127 Hours", where cool Yale/NYU student James Franco appears and receives a heroic standing ovation. More Oscar buzz. "Black Swan" also unspools there in a tiny theater as Madonna, Alec Baldwin and even Harvey Weinstein slip in the back. Darren Aronofsky, sporting the ever present cool wool scarf around his neck is hailed a genius. Natalie Portman is instantly the hot nominee for Best Actress. Both films are sensational and movie goers go nuts, but it is "The King's Speech" that edges out the competition for The Audience Prize. Mid-November David O. Russell and Mark Wahlberg, working together for the third time, sneak "The Fighter" in Manhattan. As their audience erupts in cheers, I tell producer/actor Wahlberg, "Clint Eastwood is going to kill himself for not directing this." Wahlberg says, "You are wrong. He turned it down because he's done it. He has seen it and he loves it." I instantly lavish my affection and praise on David O. Russell,