Listening to the concert program in my parents’ room was something I always looked forward to. It was my father who encouraged me, when I was eight, to begin learning to play the piano. I took lessons once a week all during my childhood along with several other of the kibbutz children. When we got old enough, we took turns playing a short piece — the secular, kibbutz equivalent of an opening prayer — at the Friday-night meal in the dining hall. I have always cherished being able to play. Sitting down at the piano and immersing myself in Tchaikovsky, Beethoven, Schubert or Mozart never ceases to bring me a sense of calm, freedom and, especially nowadays, when I have finally worked to master a particularly intricate piece, a feeling of pure joy. * * * As a young child, I spent most of my waking hours in the company of my several dozen kibbutz “siblings” in the children’s home, the dining hall, or running through the open spaces in the center of the kibbutz with our metapelet. She would often take us through the orange groves in the afternoon, and sometimes across the main road to the Arab village. Wadi Khawaret consisted of a few dozen concrete homes built back from a main street bordered by shops and storehouses. She would buy us sweets in the little grocery store. The man behind the counter had a kindly, weathered face and a dark moustache. Dressed in a gray galabiya and a keffityeh, he smiled when we came in. There was always a group of Palestinian women, in full- length robes, seated on stoops outside breastfeeding their babies. We saw cattle, bulls, even the odd buffalo, being led to or from the fields. I sensed no hostility, and certainly no hatred, toward us in the village. The people seemed warm, and benignly indifferent to the dozen Jewish toddlers and their metapelet. My own attitude to Wadi Khawaret was of benign curiosity. I did not imagine that within a couple of years we would be on opposite sides of a war. I enjoyed these visits, as I enjoyed every p