From: Jeffrey Epstein <[email protected]> To: Subject: Re: Date: Mon, 07 Dec 2009 17:14:23 +0000 their beauty can be felt. On Mon, Dec 7, 2009 at 12:13 PM, David Gelemter < > wrote: right, but corsets have their place too (I'm told they're coming back--?) (Will leave you alone, sorry -- I retract that.) On Mon, Dec 7, 2009 at 12:04 PM, Jeffrey Epstein leevacation®gmail.com> wrote: i understand, the corsets can be off to the sides of the canvass„ free yourself On Mon, Dec 7, 2009 at 11:54 AM, David Gelemter < > wrote: but these strokes are different from kline just b/c they have boundaries -- restraints -- corsets -- & therefore, tension. On Mon, Dec 7, 2009 at 11:04 AM, Jeffrey Epstein Gieevacation®gmail.com> wrote: or abstract the openess of some of the letters. tsadeh as dancing girl, khaf as a stroke in a Kline. On Mon, Dec 7, 2009 at 10:53 AM, David Gelemter > wrote: Actually did that once. Thinking about the curves just as curves, like the curves of a well-designed car (say aston db9, ferarri califomia); but the car & the letters are beautiful b/c ultimately they're female--now that you mention it-- On Mon, Dec 7, 2009 at 9:54 AM, Jeffrey Epstein [email protected]> wrote: the lay them on their side On Mon, Dec 7, 2009 at 9:38 AM, David Gelemter < > wrote: Fair enough. (Int thought: thanks.) But the double-concave lines of shin & aleph, in a sense the "most important" letters, are beautiful insofar as they're female. (And as the Zohar says [admittedly in aramaic], man--genuine man--exists only at the moment of sexual union, male+female; so man isn't so much a creature as an event, flickering into life here & there, now & then.) --David On Mon, Dec 7, 2009 at 9:21 AM, Jeffrey Epstein Gjea®gmail.com> wrote: 358 el brillo palm beach 33480.. I think you might consider focusing on the negative spaces between the hebrew letters much more erotic a bulging shma, or throbbing ka On Mon, Dec 7, 2009 at 8:56 AM, David Gelemter < w