From: Jeffrey Epstein <[email protected]> To: Subject: Re: Date: Mon, 07 Dec 2009 17:04:37 +0000 i understand, the corsets can be off to the sides of the canvass„ free yourself On Mon, Dec 7, 2009 at 11:54 AM, David Gelemter < > wrote: but these strokes are different from kline just b/c they have boundaries -- restraints -- corsets -- & therefore, tension. On Mon, Dec 7, 2009 at 11:04 AM, Jeffrey Epstein <[email protected]> wrote: or abstract the openess of some of the letters. tsadeh as dancing girl, khaf as a stroke in a Kline. On Mon, Dec 7, 2009 at 10:53 AM, David Gelemter < wrote: Actually did that once. Thinking about the curves just as curves, like the curves of a well-designed car (say aston db9, ferarri california); but the car & the letters are beautiful b/c ultimately they're female--now that you mention it-- On Mon, Dec 7, 2009 at 9:54 AM, Jeffrey Epstein <[email protected]> wrote: the lay them on their side On Mon, Dec 7, 2009 at 9:38 AM, David Gelemter < > wrote: Fair enough. (Int thought: thanks.) But the double-concave lines of shin & aleph, in a sense the "most important" letters, are beautiful insofar as they're female. (And as the Zohar says [admittedly in aramaic], man--genuine man--exists only at the moment of sexual union, male+female; so man isn't so much a creature as an event, flickering into life here & there, now & then.) --David On Mon, Dec 7, 2009 at 9:21 AM, Jeffrey Epstein <[email protected]> wrote: 358 el brillo palm beach 33480.. I think you might consider focusing on the negative spaces between the hebrew letters much more erotic a bulging shma, or throbbing ka On Mon, Dec 7, 2009 at 8:56 AM, David Gelemter < > wrote: Language as a matter of binding forces, words as atoms (or hadrons), sentences as molecules or chains, paragraphs as more complex molecules, has fascinating implications. Of course in language, we'd be talking about recursive molecules as opposed to natural ones. (But "rec